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Bebop Spoken There

Bob Dawbarn (review of Joe Harriott's LP 'Free Form'): "Both horns scream and roar away, Keane at times doing a pretty fair imitation of an elephant angry with its keeper." - (Melody Maker, December 16, 1961).

Steve Race: "The non-musician critic knows how music ought to sound. But he cannot possibly know how it feels to create it. He is in the position of the marriage guidance counsellor who has never been married." – (Jazz News, June 6th 1962).

Archives.

Today Friday July 28

Afternoon
Rendezvous Jazz - The Black Horse, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
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Jo Harrop Quartet - Gala Theatre, Millennium Place, Durham DH1 1WA. 1pm. £5. SOLD OUT!
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Ian Simpson & Stu Dawson - Vicolo, Pilgrim St., Newcastle NE1 6QG. Free. 8pm. Acoustic blues.
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Evening
Mick Donnelly & James Harrison - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.
The Resonators - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 9pm. Free.
Hackney Colliery Band - Sage Gateshead. 8pm. £18. Some very hip cats!
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Jo Harrop Quartet - Ushaw College, nr. Durham DH7 9RH. 7:30pm. £7.
Pocket Jazz Orchestra - The Ship, 50 High St., Wolviston, Billingham TS22 5JX. 9pm.
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Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 02, 2017

CD Review: Thelonious Monk Quintet - Les Liaisons Dangereuses 1960.

Thelonious Monk (piano); Charlie Rouse, Barney Wilen (tenors); Sam Jones (bass); Art Taylor (drums).
(Review by Lance).
A previously unreleased double album by Monk is quite an event. Not that some of the music hasn't had previous exposure - 30 minutes of it provided the soundtrack for Roger Vadim's 1960 movie Les Liaisons Dangereuses 1960. The remaining 45 minutes comprise alternate takes and extended versions of the ones used in the film. Familiar Monk tunes but, no less interesting because of that.
The two tenor front-line numbers gave them a different dimension. Rouse's easily identifiable, angular lines contrasting with Wilen's more rounded but less virile sound. Rouse, who knew Monk's music better than anyone bar the great man himself, was always at home with the often unexpected twists and turns conjured up by the composer. Frenchman Wilen, 22 at the time, also coped well on the 4 tracks he appears on whilst Jones, later to become a linchpin of the Cannonball Adderley Quintet and Taylor, one of the most prolific drummers of the period, rounded it off perfectly - that is, if any Monk session could be described as being rounded off!
Rhythm-a-Ning (2 takes); Crepuscule with Nellie (2); Six in One; Well You Needn't (2); Pannonica ( 2 solo piano/1 quartet/1 quintet); Ba-Lue Bolivar Ba-Lues-Are; We'll Understand it Better By and By; Light Blue (2 inc. a segment of rehearsing the rhythm Monk wanted).
Monk didn't write anything specifically for the film. Instead, he played the above pieces which invariably ran over the timing allotted to coordinate with the on-screen events and it was left to the producers to edit the music to fit. We get both versions here.
It's absolutely essential for any Monk fans and well worth a listen for any modern jazz fans of the era.
As a bonus, let me say that the 56-page booklet accompanying the discs is probably the most informative booklet I've seen in recent years - and it's readable!
Articles by Alain Tercinet, Robin D.G. Kelley and Brian Priestley coupled with many photos - both black and white and colour -, scribbled notes from the Nola Penthouse Sound Studios in New York (111 W. 57th St.) where the music was recorded on July 27, 1959, combine to make this a very memorable and collectable album which is also available on a 2 LP vinyl package.
All I need to do now is watch the film...Highly recommended.
Lance.

1 comment :

  1. Anthony Troon's five star review of Monk's album in the July issue of Jazz Journal concurs with your review. Troon concludes 'unmissable'.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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