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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.

Wednesday, October 09, 2013

CD Review: Dan Willis and The Velvet Gentleman The Satie Project II

Dan Willis (oboe, soprano, tenor and baritone saxophones, piccolo, English Horn, clarinet, baritone clarinet, contrabass clarinet, duduk, zurna, Chinese flute, hiririchi, yokobue and EWI); Pete McCann (electric guitar); Ron Oswanski (accordion, B3 organ, Wurlitzer, electric piano); Kermit Driscoll (electric and double bass); John Hollenbeck (drums); Richard Sosinsky (double bass (11); Todd Low (ehru); Entcho Todorov (violin); Mark Vanderpoel (electric bass (7); Pablo Reippi (marimba, vibraphone and pitched gongs).
(Review by Steve H).
One of the very few Classical CDs in my collection is an album of piano works by the composer Erik Satie so I was very interested to receive this album with a jazz interpretation of the ‘Velvet Gentleman’s’ work. The CD did not disappoint. The interpretations of Satie’s compositions by Willis are fascinating and the multi instrumental renditions revelatory. This album features 3 main compositions of Satie the Gnossiennes #2 to #6 the Pieces Froides 1,11,111 and 3 takes of Vexations although not necessarily in that order.
Many of the instruments featured I have never heard of.  I thought Duduk and Yokobue were international footballers who played for Liverpool and Everton respectively but they turned out to be just 2 of the 11 instruments Willis plays, including a Hiririchi which not even a Google search could find. The nearest I could get was a Hibachi which is a Japanese barbecue! Fortunately, I found some explanations in the accompanying notes. Willis plays 3 types of double reeded instruments: a Hiririch from Japan, a Dudek and a Zurna from Armenia. Meanwhile a Yokobue is a Japanese flute and an Ehru is a two string Chinese violin. This  amazing collection of instruments makes each tune a delightful discovery where you simply do not know what you will hear next - be it a beautiful Oboe and bowed double bass on Gnossienne #5, an electro fusion on Gnossienne #7 or an oriental jamboree of the aforementioned double reeded instruments on Gnossienne #3.  
For those hoping to hear work similar to the gentle minimalist work of the late 19th century they may be taken aback, but for those wanting to experience a creative, contemporary, unique and exciting creation, they will be wholeheartedly entertained by the whirr of the Wurlitzer, the thrill of the Ehru, the warmth of the Zurna and the happy hiririchi to name but a few. 
The Satie Project 11 is available on Daywood Drive Records.
Steve H.

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